Warning! May contain spoilers for books I’ll probably never write! Also contains spoilers for a classic 19th-century horror novel.
As mentioned in my last post, I got thinking about what I’d do if I wanted to update the classic Universal monsters without infringing on Universal’s properties.
Exactly which are the classics is subject to some debate, but I think everyone would agree that Frankenstein’s monster, Dracula, and the mummy are included, and probably the Wolfman. (Additional candidates would be the Phantom of the Opera and the creature from the Black Lagoon. The creature is the only one where the original source material is still under copyright.)
For Dracula, I’d start off with a close look at the end of Stoker’s novel. (I’m arbitrarily ignoring all stage and screen adaptations.) The king vampire is apparently destroyed by a group comprised of Abraham van Helsing; Jonathan Harker; Mina Harker; Dr. John Seward; Arthur Holmwood, Lord Godalming; and an American named Quincey Morris. This party is in desperate pursuit of Count Dracula as he is attempting to return to his castle in Transylvania, the seat of his power; they need to get to him before the sun sets, while he’s still relatively powerless. Dracula has a band of gypsies in his employ who delay the pursuers before being chased off by the greater firepower our heroes carry, so that they are only able to open the vampire’s coffin as the sun is on the horizon. They have come armed, but perhaps not fully prepared, as Van Helsing has made a side-trip to exterminate Dracula’s three wives and any other subordinate vampires he may find. With the sun about to vanish and Van Helsing not there to object, they do not take the time to drive home a wooden stake and behead Dracula; instead Mr. Morris drives a Bowie knife into the vampire’s chest while Jonathan Harker slashes the Count’s throat with a kukri. This appears to be sufficient, as the Count appears to crumble to dust.
But does he really?
Look at it from Dracula’s point of view. He is weak, confused, and in a state of berserk rage as he is awakened from his restorative slumber, but this is Dracula — he’s not stupid. He’s awakened to find himself surrounded by his foes, his defenders fled, and two nasty great blades coming toward him just at the instant that his supernatural powers begin to return.
But the one piercing his heart is steel, not wood, and he can survive any such wound. The big knife striking at his throat might be enough to decapitate him, which would be fatal, but Stoker’s novel never says that it actually strikes off his head; from the description it would seem he crumbles to dust when his throat is opened, before his spine is severed.
Dracula is playing possum. He has transformed himself to mist disguised as dust before his enemies can finish him off. He’s probably hurt, but not destroyed. His plan is to return to his original tomb to restore himself, and then emerge and dispose of these troublesome foes.
What he does not know, however, is that Van Helsing has found his tomb and sealed it against him, presumably by reconsecrating it. Garlic and holy water are probably involved; Van Helsing’s account is not at all detailed in how he accomplished his ends, but he’s quite certain that Dracula can never again enter his ancestral graveyard.
And of course, he can’t return to the coffin he traveled in, nor any of the boxes he took to England. He’s trapped in his transformed and weakened state, with no restorative refuge available; if he’s caught out in the sun in this condition he will probably be destroyed. And the local peasants know his powers and limitations; that was why he wanted to go to England in the first place. They won’t help him.
But he isn’t dead.
So there we have an explanation of how he survived, but also why he did not return to power in his homeland. It presumably took him decades to find a way to revive himself completely.
Meanwhile, the Harkers — Jonathan, Mina, and their son Quincey — survive and live out their days in the happy delusion that Dracula was destroyed. But after old Van Helsing dies childless, Jonathan and Mina feel it’s their duty to pass on as much vampire lore as possible, to protect future generations from other monsters. Quincey is their only child, presumably because Mina was debilitated by her experiences — well, I’m assuming he was their only child; at last report in the novel he’s six years old and has no siblings as yet — so it’s his responsibility to continue the line and preserve their knowledge.
And this is why my Dracula story would be called The Harker Heritage, and would feature a whole slew of Quincey Harker’s descendants, one of whom realizes that there’s a vampire active in post-Communist Transylvania…
More in future posts.