{"id":317,"date":"2014-06-29T00:22:59","date_gmt":"2014-06-29T05:22:59","guid":{"rendered":"http:\/\/www.watt-evans.com\/blog\/?p=317"},"modified":"2017-02-20T09:13:00","modified_gmt":"2017-02-20T09:13:00","slug":"the-music-will-never-stop-65","status":"publish","type":"post","link":"http:\/\/www.watt-evans.com\/blog\/2014\/06\/29\/the-music-will-never-stop-65\/","title":{"rendered":"The Music Will Never Stop 65"},"content":{"rendered":"<p>Well, that was interesting.<\/p>\n<p>The first side of the tape has eighteen tracks, more or less, taking up a mere thirty-eight minutes.<\/p>\n<p>The first five are Martha and her guitar &#8212; two originals, a Beatles tune, an old folk song, and a Joni Mitchell number that probably called for a little more range than Martha really had.  The song I&#8217;ve had running through my head intermittently since 1974 turns out to be called &#8220;Photosynthesis&#8221; &#8212; there&#8217;s no enclosure, but inside the box the bottom has a track listing, and the lid has personnel.<\/p>\n<p>The personnel were Martha, me, three of my four roommates, and Nadia Benabid, who was another roommate&#8217;s Moroccan girlfriend.<\/p>\n<p>That only covers fifteen of the eighteen tracks, though.  The last few were added later.  For that matter, #15 is dated February 12.<\/p>\n<p>I&#8217;m listed as playing jew&#8217;s harp and providing vocals on &#8220;Mountain Dew&#8221; (track #7), but I&#8217;m pretty sure I also played jew&#8217;s harp on &#8220;San Francisco Bay Blues,&#8221; and the unlisted tracks all feature me playing dulcimer.<\/p>\n<p>Anyway.  The first five tracks are Martha, then there are two silly group numbers, then Martha and Ray (I think) do a duet of &#8220;Mobile Line,&#8221; then Fred and Nadia have two and a half duets (there are two takes of &#8220;Proud Mary&#8221;), then Nadia has three solos &#8212; two in Spanish and an instrumental.<\/p>\n<p>And finally there are three instrumental tracks &#8212; &#8220;Go Tell Aunt Rhodey&#8221; and two rather tuneless jams &#8212; with me playing dulcimer and Josh playing jew&#8217;s harp and Martha (I think) playing kazoo.<\/p>\n<p>Martha and Nadia were both pretty good.  Ray was okay.  The less said about Fred and me, and especially Josh, the better.  The only place I tried to sing was on &#8220;Mountain Dew,&#8221; and that was because I was the only one who remembered any of the verses, though everyone joined in on the chorus.<\/p>\n<p>I&#8217;m glad to have this stuff.  This is from about a week before I flunked out of Princeton, a time I get nostalgic about.<\/p>\n<p>The recording quality is mostly quite good.  Nadia wasn&#8217;t close enough to the mike for her three solos, so I had to amplify them to the point there&#8217;s audible tape hiss, but otherwise it&#8217;s fine.  I did punch up a few tracks a little, just &#8217;cause, but it wasn&#8217;t necessary.<\/p>\n<p>As for Side 2, most of it is blank.  The box says it&#8217;s got the Mothers&#8217; &#8220;Over-Nite Sensation&#8221; on it, but it doesn&#8217;t.  The first fifteen minutes or so, unfortunately, are taken up by a failed attempt at comedy by me and my high school friend Glenn Cooper, with a lot of the jokes lifted from the humor &#8216;zine I published my senior year of high school.<\/p>\n<p>It&#8217;s really, really bad.  Not funny at all.  I&#8217;m embarrassed.  I&#8217;m not going to preserve any of it.  It can all go, as far as I&#8217;m concerned, and since it&#8217;s mostly me (Glenn&#8217;s only in about two minutes of it) and Glenn&#8217;s dead, I think it&#8217;s my call.<\/p>\n<p>So I&#8217;m saving the music, and not the &#8220;comedy.&#8221;  I&#8217;m debating whether I should erase the &#8220;comedy,&#8221; just to be sure.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Well, that was interesting. The first side of the tape has eighteen tracks, more or less, taking up a mere thirty-eight minutes. The first five are Martha and her guitar &#8212; two originals, a Beatles tune, an old folk song, and a Joni Mitchell number that probably called for a little more range than Martha&hellip; <a class=\"read-more\" href=\"http:\/\/www.watt-evans.com\/blog\/2014\/06\/29\/the-music-will-never-stop-65\/\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6],"tags":[],"class_list":["post-317","post","type-post","status-publish","format-standard","hentry","category-generalities-rants","category-strange-days"],"_links":{"self":[{"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/posts\/317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/comments?post=317"}],"version-history":[{"count":1,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/posts\/317\/revisions"}],"predecessor-version":[{"id":726,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/posts\/317\/revisions\/726"}],"wp:attachment":[{"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/media?parent=317"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/categories?post=317"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/tags?post=317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}