{"id":284,"date":"2014-06-07T01:04:52","date_gmt":"2014-06-07T06:04:52","guid":{"rendered":"http:\/\/www.watt-evans.com\/blog\/?p=284"},"modified":"2017-02-20T23:04:57","modified_gmt":"2017-02-20T23:04:57","slug":"the-music-will-never-stop-53","status":"publish","type":"post","link":"http:\/\/www.watt-evans.com\/blog\/2014\/06\/07\/the-music-will-never-stop-53\/","title":{"rendered":"The Music Will Never Stop 53"},"content":{"rendered":"<p>I&#8217;ve decided to do next all the tapes that aren&#8217;t Concertape 44-1018 &#8212; that was my standard type, and most of what I had, but there were a few others mixed in.  44-1018 was cheap 1,800-foot stuff.<\/p>\n<p>Today I played my last Concertape that&#8217;s not that specific type &#8212; it&#8217;s 44-1060A.  It&#8217;s 2,400 feet instead of 1,800, which means it&#8217;s a bit over two hours a side.  The box says &#8220;Woodstock I &#038; II\/Atlanta Pop Festival, Part One.&#8221;<\/p>\n<p>The majority of it is indeed from the albums Woodstock I and Woodstock II, which I already have in my collection &#8212; I probably taped it off my own LPs.  The interesting (at least to me) thing is that I re-edited them.  I cut John Sebastian&#8217;s &#8220;I Had A Dream,&#8221; for example, and moved it to go with &#8220;Rainbows All Over Your Blues.&#8221;  I may have trimmed out some (not anywhere near all) of the stage announcements and crowd noise, and I inserted stuff from the second album in where I thought it belonged on the first, so that for example Canned Heat&#8217;s &#8220;Woodstock Boogie&#8221; comes immediately after &#8220;Going Up the Country.&#8221;  Which is, according to the 40th anniversary set, exactly where it actually came.<\/p>\n<p>I also inserted Mountain between Sha Na Na and Country Joe Macdonald, but I don&#8217;t know why &#8212; I didn&#8217;t know what order the acts appeared in, and in fact, Mountain actually performed after that.  Maybe I just liked the transition better that way.<\/p>\n<p>And you know, this is the first time I&#8217;ve noticed that Woodstock II includes Hendrix stuff that apparently isn&#8217;t on the supposedly-as-complete-as-possible 40th anniversary set.  I&#8217;ll want to check on that &#8212; it may all be in that medley that the 40th treats as a single track.<\/p>\n<p>Anyway, this is interesting, but I won&#8217;t be keeping any of the Woodstock music.  The Atlanta Pop Festival, on the other hand &#8212; I never had that on an album.  I&#8217;m guessing either I somehow got hold of Columbia&#8217;s &#8220;The First Great Rock Festivals of the Seventies&#8221; set long enough to tape it, or I recorded it off the radio; I have another tape here in the stack that says it has the Isle of Wight festival, which was also on that album.<\/p>\n<p>The sound quality is okay, but there&#8217;s a definite background hum.<\/p>\n<p>Over an hour into Side 2, still on Woodstock, where I did indeed put &#8220;I Had A Dream&#8221; together with &#8220;Rainbows All Over Your Blues.&#8221;<\/p>\n<p>iTunes says the two Woodstock albums add up to 3 hours and 46 minutes. Close.  I think I wound up with 3:43 of Woodstock on this tape.<\/p>\n<p>And the tape finished off with 27 minutes from the second Atlanta International Pop Festival, from 1970, featuring Johnny Winter, Poco, the Chambers Brothers, and the Allman Brothers.  Which I needed to clean up and edit a bit.  I ran noise removal on it.<\/p>\n<p>It all came out pretty well, and is now in my collection.  I wonder whether Part Two of the Atlanta festival is somewhere in the stack of remaining tapes?  I haven&#8217;t noticed it.<\/p>\n<p>Thirty-six more to go.  Thirty-two of them are Concertape 44-1018.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve decided to do next all the tapes that aren&#8217;t Concertape 44-1018 &#8212; that was my standard type, and most of what I had, but there were a few others mixed in. 44-1018 was cheap 1,800-foot stuff. Today I played my last Concertape that&#8217;s not that specific type &#8212; it&#8217;s 44-1060A. It&#8217;s 2,400 feet instead&hellip; <a class=\"read-more\" href=\"http:\/\/www.watt-evans.com\/blog\/2014\/06\/07\/the-music-will-never-stop-53\/\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6],"tags":[],"class_list":["post-284","post","type-post","status-publish","format-standard","hentry","category-generalities-rants","category-strange-days"],"_links":{"self":[{"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/posts\/284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/comments?post=284"}],"version-history":[{"count":1,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/posts\/284\/revisions"}],"predecessor-version":[{"id":844,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/posts\/284\/revisions\/844"}],"wp:attachment":[{"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/media?parent=284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/categories?post=284"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/tags?post=284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}