{"id":202,"date":"2014-03-28T00:10:11","date_gmt":"2014-03-28T00:10:11","guid":{"rendered":"http:\/\/www.watt-evans.com\/blog\/?p=202"},"modified":"2017-02-22T05:59:29","modified_gmt":"2017-02-22T05:59:29","slug":"the-music-will-never-stop-22","status":"publish","type":"post","link":"http:\/\/www.watt-evans.com\/blog\/2014\/03\/28\/the-music-will-never-stop-22\/","title":{"rendered":"The Music Will Never Stop 22"},"content":{"rendered":"<p>March 19, 2014:<\/p>\n<p>Back in 1991, a self-help guru named Richard Sutphen decided he wanted to expand his New Age publishing empire into horror.  He created an imprint, Spine-Tingling Press, and wrote a few stories and novels.<\/p>\n<p>He recorded at least some of them as books on tape, and distributed one to the membership of HWA, presumably in hopes of recruiting writers and maybe garnering a Stoker.<\/p>\n<p>I never got around to listening to it until today, when I copied &#8220;Bone Thrower&#8221; to MP3.<\/p>\n<p>It&#8217;s an okay story &#8212; novelet length, I guess.  Very violent, almost verging on splatterpunk.  There are some viewpoint issues, and the opening flashback is clearly there entirely to be a grabber opening; it is <i>not<\/i> the logical place to start the story.  The ending is a bit cliched.  And looking at this and the only other Sutphen story I&#8217;m familiar with (&#8220;Snake Dance,&#8221; which I think I mentioned here), I think Sutphen&#8217;s got a thing about snakes.<\/p>\n<p>I was surprised to discover the last nine minutes of the tape are taken up with a preview of another story, &#8220;Freaklink.&#8221;<\/p>\n<p>The transfer went smoothly, the never-before-played tape was flawless.<\/p>\n<p>I am not surprised that Spine-Tingling Press only lasted a couple of years.<\/p>\n<p>March 20, 2014:<\/p>\n<p>Next up:  &#8220;A Leader of Cheeseheads,&#8221; by Jay Rath&#8217;s Old Time Radio Pirates.  Not quite forty minutes of political satire from 1991, six skits about then-governor of Wisconsin, Tommy Thompson.<\/p>\n<p>I&#8217;d only ever played this once.  It&#8217;s still in perfect condition.  It copied easily, first try.<\/p>\n<p>The humor&#8217;s only so-so, I&#8217;m afraid.  It&#8217;s not that it&#8217;s badly dated, it just wasn&#8217;t that great to begin with.<\/p>\n<p>Jay Rath&#8217;s Old Time Radio Pirates shortened their name to the Radio Pirates after this, as seen on a couple of preceding tapes.  This is another of the samples Scott Dikkers sent me when he was negotiating for the rights to &#8220;The Drifter.&#8221;<\/p>\n<p>March 21, 2014:<\/p>\n<p>Started one that&#8217;s going to take awhile&#8230;<\/p>\n<p>March 25, 2014:<\/p>\n<p>Done.  &#8220;The Best Fantasy of the Year 1989,&#8221; edited by Orson Scott Card and Martin H. Greenberg, with introductions by Orson Scott Card, from Dercum Audio, is now in my MP3 collection.<\/p>\n<p>Which I have because one of the ten stories therein is my own &#8220;Windwagon Smith and the Martians.&#8221;<\/p>\n<p>It&#8217;s an odd assortment, really.  I don&#8217;t much like the Benford (&#8220;We Could Do Worse&#8221;), for example.<\/p>\n<p>There were a few crashes along the way, one of which fortunately wiped out a recording that was kind of fuzzy; it came out better on the second take.<\/p>\n<p>I have two more audio anthologies, but I&#8217;m going to leave them for later; this was hugely time-consuming, though not difficult.  For now it&#8217;s back to single-tape stuff, be it music or con panels or letters or whatever.<\/p>\n<p>March 26, 2014:<\/p>\n<p>Today I was either out or busy most of the day, so I only did a very short tape &#8212; &#8220;They Came for the Candy,&#8221; by the Radio Pirates.  It&#8217;s a parody of the 1938 Mercury Theatre &#8220;War of the Worlds&#8221; &#8212; in this version the Martians aren&#8217;t invading so much as trick-or-treating.<\/p>\n<p>It&#8217;s fun.  Only about half an hour in all.  Not fall-on-the-floor funny, but amusing.<\/p>\n<p>No problems with the conversion to MP3.<\/p>\n<p>March 27, 2014:<\/p>\n<p>Half a tape today.  At some point in the last twenty-five years, someone sent me a tape entitled &#8220;Indigo Girls Sampler.&#8221;  It&#8217;s a few tracks apiece from four Indigo Girls albums.<\/p>\n<p>I did the first side, with five songs from &#8220;Indigo Girls&#8221; and five songs from &#8220;Rites of Passage,&#8221; today.  No problems at all; everything came out very well.<\/p>\n<p>I&#8217;d heard a few Indigo Girls pieces before, but I never had any of their albums, just one or two tracks I&#8217;d picked up somewhere.  It&#8217;s good to have a larger sampling.<\/p>\n<p>Yes, I&#8217;ve had this for ages, but I never actually <i>played<\/i> all of it; I got halfway through the first side, then got interrupted and never went back to it.<\/p>\n<p>Which brings me to an observation:  On &#8220;Indigo Girls,&#8221; they weren&#8217;t very varied.  It all sounded much alike to me when I first heard it, which is why I never went back to it.<\/p>\n<p>&#8220;Rites of Passage,&#8221; which I didn&#8217;t get to, is better and more eclectic.<\/p>\n<p>March 28, 2014:<\/p>\n<p>And today I finished it up.  Side 2 had selected tracks from &#8220;Strange Fire&#8221; and &#8220;Nomads Indians Saints.&#8221;  It&#8217;s pretty good stuff.<\/p>\n<p>There is a glitch at the start of &#8220;Left Me A Fool,&#8221; though &#8212; it sounds as if maybe a stray guitar arpeggio (maybe at the end of a track that&#8217;s not included) got attached at the start of the file.  Presumably this was a glitch on the original cassette tape.<\/p>\n<p>I wonder where I got it?<\/p>\n<p><i>And that, friends, brings us up to date.  There are twenty-eight cassette tapes left to copy, and then I have a stack of old reel-to-reel.  I intend to continue to post here about my progress.  From the lack of comments, I take it that either no one&#8217;s reading, or you don&#8217;t give a crap, but you know what? <\/i>I<i> care.  I&#8217;m much more interested in this project than in most of the other stuff I&#8217;m doing these days.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>March 19, 2014: Back in 1991, a self-help guru named Richard Sutphen decided he wanted to expand his New Age publishing empire into horror. He created an imprint, Spine-Tingling Press, and wrote a few stories and novels. He recorded at least some of them as books on tape, and distributed one to the membership of&hellip; <a class=\"read-more\" href=\"http:\/\/www.watt-evans.com\/blog\/2014\/03\/28\/the-music-will-never-stop-22\/\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,6],"tags":[],"class_list":["post-202","post","type-post","status-publish","format-standard","hentry","category-generalities-rants","category-strange-days"],"_links":{"self":[{"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/posts\/202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/comments?post=202"}],"version-history":[{"count":1,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/posts\/202\/revisions"}],"predecessor-version":[{"id":872,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/posts\/202\/revisions\/872"}],"wp:attachment":[{"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/media?parent=202"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/categories?post=202"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.watt-evans.com\/blog\/wp-json\/wp\/v2\/tags?post=202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}