The Music Will Never Stop 82

Huh. Audacity’s “remove bass rumble” filter works surprisingly well. I converted “Roll Over Beethoven” to MP3 using that filter, and it sounds roughly as good as it would over a very cheap AM radio.

But subsequent Beatles songs, not so much.

The problem here is that I apparently recorded this tape with very cheap microphones rather than a line in, and in order to get a good signal-to-noise ratio I played the record loud.

Which meant I overloaded the microphones on every loud bit. It’s not bad on “Roll Over Beethoven,” but it gets much worse on songs with a heavier beat.

As for Side 2 of “Oldies,” the list is indeed accurate. I converted those fifteen unsourced oldies tracks, even though the quality is kind of marginal, but the two Beatles albums, which were much inferior in sound quality, are on order from Amazon in CD form. (They weren’t available as downloads.)

The next tape is cued up on the machine — or is that “queued”? Anyway, it’s all set to record.

The box is labeled, but it’s hard to read. Here’s what I could make out at first:

“Reel No. L Title: [faded to illegibility]/Conception Corporation/[faded to illegibility]/Waiting for the Electrician or Someone Like Him/Dear Friends”

When I took a closer look I realized the second illegible part says “Firesign Theatre,” but I still couldn’t (and can’t) make out the first.

But inside the box was a typed track list that told me what it was, and why the Reel No. was “L”: Tom Lehrer. About two hours of Tom Lehrer. I really hope the quality is good.

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